Now we have reached the year in question, who made it through?
Read on to discover what we learned fromthe UK,Canada,South Africa, France,AustraliaandIndia.
Hence the BBCs funding admission.
‘Industry’: aBBC-HBO co-productionBBC/Bad Wolf Productions/HBO/Nick Strasburg
I dont see any significant change.
McVay worries for the immediate future of his members the hundreds of production companies located around the UK.
International co-pros, especially with big European players, could therefore become even more crucial.
This development continues to have ramifications for producers.
India
Indias TV market is facing a reset after several years of intense spending from the SVoDs.
Police procedurals and action thrillers now dominate, along with light and soapy dramas and comedies about modern life.
Its been quite a couple of years all put together.
However, things are looking more settled in 2025, and producers with market nous sense opportunity.
Everyone is now focused on looking forwards, says Sameer Nair, Managing Director ofScamproducer Applause Entertainment.
If two years ago there were 10 platforms, now there are three, she says.
Americans are producing here like crazy as culturally we are an easier fit than others, adds Stockman.
Does Donald Trumps White House return strike fear over the future of its TV industry?
Id have to imagine that he has other things to focus on, quips Mills.
South Africa
Streamer rowbacks hit South Africa hard in 2024.
People say competition can be bad, but I believe a strong industry is a robust industry.
Crew availability has not been helped by issues regarding the South African Television Production Incentive.
In response, the Department for Trade, Industry, and Competition insists there is no backlog.
This would be about time too for one of the African continents most crucial territories.
That had made it very difficult for consolidation and dialogue, says Roma.
Australia
The Australian industry sits at a crossroads.
In fact, many producerslastyear said they were at an historic low pointin terms of local work.
Still, budgets are shrinking and co-production money is less readily available due to U.S. contraction.
With scripted budgets an estimated 10-15% lower than other English-language markets, this is a less risky investment.
Producers are keeping eyes peeled for what that means at theColin From Accountscompany.
