Snook often plays multiple characters simultaneously, acting live opposite her own video images.
Modern literatures ultimate narcissist pretty much seamlessly makes the leap from 1890s gothic horror to 21st Century body horror.
Nick Schliepers lighting design also plays an extremely crucial role in director Williams busy vision for the production.
Sarah Snook in ‘The Picture of Dorian Gray’Marc Brenner
The scene, set to the music of Mahlers Symphony No.
Maybe thats the all-too-common price paid for the sort of hubris demanded of such an ambitious project as this.
Snook as Sir Henry Wotton and, on stage, Dorian GrayMarc Brenner
