I went back to New Mexico forEddington,for a couple of things, and Trump was president.
When we shot, he wasnt there yet, said Terrazas.
I have a visa, an O1 visa, that I have been having for almost 15 years…
Anna Terrazas discussed early costume design credit onGetty Images
But this time when I entered the U.S, I was a tiny bit afraid.
It was just really weird.
Nobody was really talking about it.
I was the only Mexican to say Guys, whats happening?
I was looking at the news and thinking, Why is nobody saying anything?, said Terrazas.
And then with the film industry, nobodys really doing anything.
We were getting a lot of U.S. projects coming to Mexico and right now its very slow.
I dont really know whats going to happen.
Its back-to-back from the pandemic, to the strikes, to the fires, to Trump.
Theres something in the air that I dont quite yet understand.
Its not just affecting the film industry, but all industries around the world.
Emma Stone also co-stars.
We had a blast.
I saw Joaquin lately.
We were going to do another film, and that didnt happen.
He was like, you oughta see the film.
We did a fantastic film.
I need to see what we did, this craziness.
I enjoyed working with Ari and everybody on the project.
Emma is amazing, said Terrazas.
We built where we shot.
You cant recreate that.
Its a very New Mexico film, she continues.
Prior toEddington, Terrazas worked onPedro Paramowhich reunited her withRomaproduction designer Eugenio Caballero.
She credits Netflix with making the film happen.
When I told them about working with the artisans, that takes time.
I actually had time to do the research before starting pre-production, she explained.
Gael and I have been really good friends since we were kids.
She says it is on her wish list.
I kept seeing him when we were doing the press forBardoand he was doingPinocchio.
I was like, We have to work together, she said.
