It has been a banner year for Martin Delemazure, the managing director of Paris-based composer agencyGrande Ourse.
Fast forward seven months and Grand Ourse continues to enjoy awards buzz thanks toEmilia Perez.
Delemazure describes the collaboration between Audiard and life and creative music partners Camille and Ducol as a special case.
Martin Delemazurecourtesy
The writing part was very open.
There were lots of debates around the musicality of the film, he explains on the latter point.
Camille is extremely well known in France.
Clément Ducol, Camille, Zoe Saldana at the Golden Globes LuncheonGetty Images
Now, with platforms like Netflix, there are no boundaries, he says.
Hes had a lot of interest out of the United States.
Lamboleys work will soon be heard in the German Netflix seriesCassandraas well as Liam Neeson-starring thrillerCold Storage.
Other composers with growing international renown on the Grande Ourse roster include Guillaume Roussel and Olivier Arson.
These three composers are of international interest for different reasons.
Mathieu Lamboley embodies French know-how in the vein of Michel Legrand and Maurice Jarre.
Guillaume Roussel has more of Hollywood know-how.
He makes more hybrid music, which is more textured, less melodic and really more Hollywood.
We also receive a lot of international requests for Olivier Arson, but he embodies non-Hollywood music.
A composer can often make triple what he initially took for the film, suggests Delemazure.
